Nathaniel Hawthorne
English
The House of the Seven Gables, by Nathaniel Hawthorne, published in 1851, explores themes of family legacy, the lingering effects of past sins, and the clash between old aristocratic ideals and the burgeoning democratic spirit of America. The narrative centers on the Pyncheon family, whose ancestral home, the titular Seven Gables, is steeped in a history of avarice, persecution, and alleged curses originating from a dispute with Matthew Maule, an executed wizard in the 17th century. Colonel Pyncheon, the house's founder, acquired the land through questionable means, and Maule's dying curse of "blood to drink" is said to have haunted the Pyncheon lineage. The story primarily unfolds in the 19th century, focusing on Hepzibah Pyncheon, the last scion of the family living in genteel poverty within the decaying mansion. Facing financial ruin, she is forced to open a cent-shop in the house's former storefront, a humiliating step down from her aristocratic pride. Her quiet life is disrupted by the return of her cousin, Clifford Pyncheon, who has been recently released from a long imprisonment, wrongly accused of the murder of his wealthy uncle, Judge Pyncheon. Clifford, broken by his ordeal, is fragile and childlike, requiring constant care. A ray of hope and vitality enters the household with the arrival of Phœbe Pyncheon, Hepzibah’s young country cousin. Phœbe’s natural cheerfulness and practical industry gradually bring light and life back into the gloomy house. She rejuvenates Hepzibah’s failing shop and brings comfort to Clifford, whose childlike disposition finds solace in her presence and song. Meanwhile, Holgrave, a politically radical daguerreotypist lodging in one of the gables, observes the family’s dynamics with keen interest. He is both attracted to and fascinated by Phœbe, while also holding a deep-seated, almost inherited, animosity towards the Pyncheon legacy, which he views as oppressive and corrupt. The narrative weaves together the present lives of Hepzibah, Clifford, and Phœbe with the historical legacy of the Pyncheon family, revealing the secrets and scandals of previous generations, including the tragic story of Alice Pyncheon, who was bewitched by Matthew Maule’s descendant, a carpenter, and reduced to a puppet controlled by his will. Judge Jaffrey Pyncheon, a powerful and seemingly benevolent figure, emerges as a significant antagonist. He seeks to manipulate Clifford to reveal the location of their uncle’s hidden fortune, believing Clifford holds the key. When Clifford refuses, Judge Pyncheon attempts to have him confined to an asylum, demonstrating his ruthless nature beneath a veneer of respectability. The climax occurs when Judge Pyncheon dies suddenly in Clifford’s parlor, an event that seems to fulfill Maule’s ancient curse. Clifford and Hepzibah, fearing they will be implicated, flee the house. Phœbe, however, returns and, with Holgrave’s help, discovers the Judge’s body. Holgrave, who reveals himself to be a descendant of Matthew Maule and has been subtly manipulating events, ultimately abandons his radical views in favor of a more settled life, finding happiness with Phœbe. With the Judge’s death, Clifford’s innocence is implicitly proven, and Hepzibah and Clifford, now beneficiaries of the Judge’s fortune, leave the House of the Seven Gables for a more comfortable life, their past burdens finally lifted.