Gotthold Ephraim Lessing
English
The play opens in the private chambers of the Prince of Guastalla, who is overwhelmed by petitions and affairs of state. His attention is caught by the name Emilia, but it is Emilia Bruneschi, not the Emilia Galotti he will soon become obsessed with. He dismisses a letter from Countess Orsina, an apparent former lover, and receives the painter Conti. Conti presents two portraits: one of Countess Orsina, which the Prince finds unflattering and vain, and another, a portrait of Emilia Galotti. The Prince is immediately captivated by Emilia's beauty, recognizing her from a chance encounter and recalling her father, Colonel Galotti, as a proud man who opposed his claims on Sabionetta. Marinelli, the Prince's chamberlain, arrives and informs the Prince of Countess Orsina's arrival in the city. The Prince reveals his impending marriage to the Princess of Massa and his intention to break off his affair with Orsina. Marinelli also delivers news of Count Appiani's imminent marriage, which the Prince finds surprising. Upon learning that the bride is Emilia Galotti, the Prince is shocked and enraged. Marinelli suggests a plan: to send Count Appiani as an envoy to Massa, requiring him to depart immediately. The Prince agrees, desperate to prevent the wedding. In the Galotti household, Emilia's mother, Claudia, awaits her daughter's return from church. Odoardo, Emilia's father, arrives unexpectedly, expressing his impatience for Emilia to be wed to Count Appiani. He also reveals his distrust of the Prince, having heard that the Prince recently showed undue favor to Emilia. Claudia dismisses his concerns, but Odoardo remains suspicious. Meanwhile, a scoundrel named Angelo plots with Pirro, a servant, to rob the Count. He learns that the Count, Emilia, and Claudia will be traveling to Appiani's estate for the wedding that day. Emilia rushes in, terrified, having been accosted by the Prince in church. He spoke of beauty and love, confessing his desire for her and lamenting her impending marriage. She fled from him, but he pursued her, and she was only able to escape his grasp in the hall. Claudia tries to calm her, advising her not to tell Appiani, fearing it would cause him distress and possibly lead to him acting rashly. However, Count Appiani arrives, deep in thought. He expresses his joy and seriousness about the wedding, but also a sense of foreboding, confessing to Claudia that he feels a strange melancholy. He reveals that his friends insisted he inform the Prince of his marriage beforehand. Marinelli then arrives, presenting Appiani with an 'honor' from the Prince: to be an envoy to Massa and depart immediately. Appiani refuses, stating he is about to marry Emilia Galotti that very day and cannot possibly leave. Marinelli, frustrated, provokes Appiani into a duel, which ends with Appiani being fatally wounded. Marinelli, feigning regret, reports to the Prince that the abduction plan, though successful in separating Emilia from her escort, resulted in Appiani's death. The Prince is horrified but also sees this as an opportunity. Emilia is brought to the Prince's pleasure palace, Dosalo, believing she is fleeing from robbers. Marinelli tries to calm her, assuring her that her mother and Appiani are safe and that the Prince is coming to comfort her. The Prince arrives, expressing his regret for his earlier behavior and his desire for Emilia. He confesses his love and claims that Appiani's death, while tragic, clears the path for their union. Emilia, horrified and despairing, believes her virtue is lost. She rejects the Prince's advances, stating her father would never approve. The Prince, desperate, offers her a choice to go to her mother or to his chancellor Grimaldi's house for safety. Odoardo Galotti arrives, having heard of Appiani's death and his family's danger. Marinelli subtly manipulates him, suggesting suspicion might fall upon him. Orsina also arrives, distraught and accusing the Prince of Appiani's murder, convinced that he orchestrated the attack to get Emilia. Odoardo, realizing the grave danger to his daughter and his family's honor, decides to take Emilia away to a convent. He confronts the Prince, who, under pressure and seeing Odoardo's resolve, agrees to let Emilia go with her father. However, Odoardo, driven by his honor and Emilia's despair, takes his daughter aside. Emilia, seeing her situation as irredeemable, asks her father for the dagger Orsina had offered him. Odoardo, after initial hesitation, gives it to her. Emilia stabs herself, believing she is breaking free from a fate worse than death. Odoardo, heartbroken, declares his innocence to the Prince and Marinelli, stating he acted to save his daughter's honor. The play ends with the Prince and Marinelli left to contemplate the tragic consequences of their actions.